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      <image:title>News - ‘The Dead Don’t Hurt’: Toronto Review - Make it stand out</image:title>
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      <image:title>News - Meet the Man Behind Bertolucci and Cronenberg in Mark Cousins’ ‘The Storms of Jeremy Thomas’ — Watch the Trailer - Make it stand out</image:title>
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    <loc>https://www.recordedpicture.com/homepage/2021/7/12/the-storms-of-jeremy-thomas-a-road-trip-through-the-history-of-film-festival-de-cannes</loc>
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      <image:title>News - The Storms of Jeremy Thomas, a road trip through the history of film - Festival de Cannes - Make it stand out</image:title>
      <image:caption>Picture of the movie The storms of Jeremy Thomas © Jeremy Thomas</image:caption>
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      <image:title>News - The Storms of Jeremy Thomas review – Mark Cousins rides shotgun with uber-producer - The Guardian - Make it stand out</image:title>
      <image:caption>Garrulous super-fan … The Storms of Jeremy Thomas.</image:caption>
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      <image:title>News - The Storms of Jeremy Thomas review – Mark Cousins rides shotgun with uber-producer - The Guardian - Make it stand out</image:title>
      <image:caption>Reticent English gent ... The Storms of Jeremy Thomas.</image:caption>
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    <loc>https://www.recordedpicture.com/homepage/2021/7/12/cannes-jeremy-thomas-on-crash-controversy-amp-50-years-at-the-fest-deadline</loc>
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      <image:title>News - Cannes: Jeremy Thomas On ‘Crash’ Controversy &amp;amp; 50 Years At The Fest – Deadline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Cannes: Jeremy Thomas On ‘Crash’ Controversy &amp;amp; 50 Years At The Fest – Deadline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Cannes: Jeremy Thomas On ‘Crash’ Controversy &amp;amp; 50 Years At The Fest – Deadline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Cannes: Jeremy Thomas On ‘Crash’ Controversy &amp;amp; 50 Years At The Fest – Deadline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.recordedpicture.com/homepage/2021/7/6/cannes-2021-mark-cousins-ralisateur-de-the-storms-of-jeremy-thomas-cineurope</loc>
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      <image:title>News - CANNES 2021 Mark Cousins • Réalisateur de The Storms of Jeremy Thomas - Cineurope - Make it stand out</image:title>
      <image:caption>(© Mark Cousins)</image:caption>
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    <loc>https://www.recordedpicture.com/homepage/2021/6/24/the-storms-of-jeremy-thomas-first-footage-from-cannes-classics-documentary-by-mark-cousins</loc>
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    <loc>https://www.recordedpicture.com/homepage/2021/4/14/how-pinocchio-turned-a-real-boy-into-a-puppet-who-longs-to-be-a-real-boy-variety</loc>
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      <image:title>News - How 'Pinocchio' Turned a Real Boy Into a Puppet Who Longs to Be a Real Boy - Variety</image:title>
      <image:caption>Courtesy of Roadside Attractions The many stages of Federico Ielapi’s transformation into Pinocchio, which required the young actor to sit for hours as prosthetics were applied to his face, legs and hands. The final look is inspired by the novel’s illustrations by Enrico Mazzanti and Carlo Chiostri.</image:caption>
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      <image:title>News - How 'Pinocchio' Turned a Real Boy Into a Puppet Who Longs to Be a Real Boy - Variety</image:title>
      <image:caption>Courtesy of Roadside Attractions Rather than use digital effects for Pinocchio’s appendages, director Matteo Garrone had makeup artist Mark Coulier design prosthetic arms and legs.</image:caption>
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    <loc>https://www.recordedpicture.com/homepage/2021/4/14/uk-producer-jeremy-thomas-talks-oscar-return-his-new-starring-role-and-friendship-with-johnny-depp-screen-international</loc>
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      <image:title>News - UK producer Jeremy Thomas talks Oscar return, his new starring role and friendship with Johnny Depp - Screen International</image:title>
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      <image:title>News - 'Pinocchio' hair and makeup make animals, humans, puppets - Los Angeles Times</image:title>
      <image:caption>Luisa Ragusa as a puppet, and Federico Ielapi as Pinocchio (Greta De Lazzaris/Roadside Attractions)</image:caption>
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      <image:title>News - 'Pinocchio' hair and makeup make animals, humans, puppets - Los Angeles Times</image:title>
      <image:caption>Marine Vacth as Blue Fairy in “Pinocchio.” (Greta De Lazzaris/Roadside Attractions)</image:caption>
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      <image:title>News - 'Pinocchio' hair and makeup make animals, humans, puppets - Los Angeles Times</image:title>
      <image:caption>A snail, played by Maria Pia Timo, in “Pinocchio” was created with prosthetic makeup, a latex bodysuit and a fiberglass shell pulled on a small trolley. She is touched up by Mark Coulier. (Roadside Attractions)</image:caption>
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      <image:title>News - 'Pinocchio' hair and makeup make animals, humans, puppets - Los Angeles Times</image:title>
      <image:caption>Roberto Benigni as Geppetto, and Federico Ielapi as Pinocchio, in “Pinocchio.” (Greta De Lazzaris / Roadside Attractions)</image:caption>
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      <image:title>News - 'Pinocchio' hair and makeup make animals, humans, puppets - Los Angeles Times</image:title>
      <image:caption>Maria Pia Timo as a snail, Federico Ielapi as Pinocchio, and Alida Baldari Calabria as the young fairy, in “Pinocchio.” (Greta De Lazzaris / Roadside Attractions)</image:caption>
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      <image:title>News - 'Pinocchio' hair and makeup make animals, humans, puppets - Los Angeles Times</image:title>
      <image:caption>Alida Baldari Calabria as the young fairy, and Federico Ielapi as Pinocchio. (Greta De Lazzaris / Roadside Attractions)</image:caption>
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      <image:title>News - 'Pinocchio' hair and makeup make animals, humans, puppets - Los Angeles Times</image:title>
      <image:caption>Some of the characters in “Pinocchio” created by prosthetic makeup designer Mark Coulier. Clockwise, from top left: Cat, played by Rocco Papaleo; Davide Marotta as a grasshopper; Elisabetta La Padula as a rabbit; Luisa Ragusa as a puppet; and Gianfranco Gallo as a dog and as an owl. (Roadside Attractions)</image:caption>
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      <image:title>News - How the Makeup Team Behind “Pinocchio” Created Magic Without Visual Effects</image:title>
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      <image:title>News - Matteo Garrone on Telling a New 'Pinocchio' Story and Collaborating with Roberto Benigni</image:title>
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      <image:title>News - Matteo Garrone on Telling a New 'Pinocchio' Story and Collaborating with Roberto Benigni</image:title>
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    <loc>https://www.recordedpicture.com/homepage/2021/3/16/too-close-for-comfort-theresa-russell-in-bad-timing</loc>
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    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615895134157-OYIBFXQ7JIJRQRL6YIEI/Screenshot+2021-03-16+at+11.45.17.png</image:loc>
      <image:title>News - Too Close For Comfort: Theresa Russell in Bad Timing</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615895078120-9DMMT4ZIFC06X21TEXC0/Screenshot+2021-03-16+at+11.44.15.png</image:loc>
      <image:title>News - Too Close For Comfort: Theresa Russell in Bad Timing</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615894998908-CA57NYHC57U70366DTRA/Screenshot+2021-03-16+at+11.42.45.png</image:loc>
      <image:title>News - Too Close For Comfort: Theresa Russell in Bad Timing</image:title>
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  </url>
  <url>
    <loc>https://www.recordedpicture.com/homepage/2021/3/16/q-and-a-david-cronenberg-reflects-on-crash-and-the-future-of-covid-filmmaking</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615894255003-ONGRX2TM1WOQSUA31OMF/jco10276864.jpg</image:loc>
      <image:title>News - Q-and-A: David Cronenberg reflects on 'Crash' and the future of COVID filmmaking</image:title>
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  </url>
  <url>
    <loc>https://www.recordedpicture.com/homepage/2021/3/16/ballard-in-the-rear-view</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615894027014-YD1T9BJ159M05CDQJ3SZ/1059_image_04-copy.jpg</image:loc>
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  </url>
  <url>
    <loc>https://www.recordedpicture.com/homepage/2021/3/12/american-cinematographer-crash-auto-erotic</loc>
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    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615550052482-DS3FQID2KJM87MAO0ITS/Crash-Behind-the-Scenes_248ed78b6649d6cda0fcadc1ac9bc23e.jpg</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
      <image:caption>Cronenberg tends to Spader's compound leg "injury" while Suschitzky observes from behind his Panaflex. On an intimate production such as Crash, the cameraman prefers to do his own operating, noting, “I feel closer to the movie if I'm looking through the camera, as if I am the first audience to see the film."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615548726126-MHIRYNPP7TDJU7W5TX48/Screenshot+2021-03-12+at+11.31.58.png</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549890488-ZUJIZW9OJ4MPQKG0JV1I/Screenshot+2021-03-12+at+09.23.27.png</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
      <image:caption>Ballard becomes entangled with Dr. Remington (Holly Hunter).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549634401-ZNHLSNE9MF3BOGHFFPND/Crash-Spader-and-Unger.jpg</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549975858-XFJ0MKP6TQBWDL8KCYMN/Crash-Ballard-Bed.jpg</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549064179-L7HU9T49JDRJ4NEWYG8B/Screenshot+2021-03-12+at+11.37.33.png</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
      <image:caption>The Ballards engage in post-collision lovemaking. Suschitzky lit their sexual encounters in very warm tones — in direct contrast to the film's overall "contrasty and hard" style. He reasoned that by making these scenes more visually attractive, the audience would have a more difficult time avoiding the performers' deliberately confrontational dialogue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549322013-8IYX7QSTAPPLFFO8BXH8/Crash-Unger-in-the-Car.jpg</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549754722-4SSMSUQGDJD9YE1L88QQ/Screenshot+2021-03-12+at+11.49.00.png</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549187412-URGZUYLJ3ZLWM1GHGSTZ/Crash-Dummy_248ed78b6649d6cda0fcadc1ac9bc23e.jpg</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
      <image:caption>During the filming of Ballard's head-on collision, a dummy is launched through the other driver's car windshield. The picture's restrictive budget demanded that the crashes be filmed in a minimalist manner, which jibed with director David Cronenberg's desire to "shoot action scenes without making an action movie."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615548524025-YVP0R4IXVJFS1OVUWBYZ/Crash-Featured.jpg</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549571933-PZV65SD76GZ3ZPYZ9WE0/Screenshot+2021-03-12+at+11.46.01.png</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549411650-8GQPZ4RSWFU9TS7TIQJK/Crash-The-Ballards.jpg</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
      <image:caption>The Ballards out for a drive in the Vaughn’s ragtop Lincoln — featuring suicide doors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615548891959-VQTKEMM4WNHAENBEAD1V/Crash-Suschitzky-Daviau-and-Elmes.jpg</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
      <image:caption>Post-Crash: Suschitzky, Daviau and Elmes at the New Line Cinema screening room in Beverly Hills. (Photo by David E. Williams)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615549524570-EPOQSLT57R2Q3ILM8EPE/Screenshot+2021-03-12+at+11.45.14.png</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
      <image:caption>Catherine and Vaughan (Elias Koteas) bond at the scene of a highway mishap. Suschitzky primarily utilized small tungsten fixtures for the many night exteriors, relying heavily on Fuji's 500 ASA Super-F 8571 stock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/594002d5e4fcb5c4586862d9/1615548993554-N4YGD99FYRFBQAVTL4JB/Screenshot+2021-03-12+at+11.36.25.png</image:loc>
      <image:title>News - American Cinematographer - Crash: Auto Erotic</image:title>
      <image:caption>Catherine and James Ballard (Debra Kara Unger and James Spader) hit the road in search of visceral thrills. Suschitzky sought unusual angles for the picture's many car sequences, often utilizing the Motocam system. For process trailer work, interactive lighting (both reflected and direct) added a heightened sense of movement.</image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2021-03-16</lastmod>
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      <image:caption>https://deadline.com/video/pinocchio-review-roberto-benigni-matteo-garrone-video/</image:caption>
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    <lastmod>2021-03-16</lastmod>
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      <image:title>News - Good Morning America 'Pinocchio' review: A fresh and more grown-up take on the animated classic</image:title>
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  <url>
    <loc>https://www.recordedpicture.com/homepage/2021/3/12/crash-review-cronenbergs-auto-eroticism-still-has-impact</loc>
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    <loc>https://www.recordedpicture.com/homepage/2020/2/13/first-love-review</loc>
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    <lastmod>2020-02-13</lastmod>
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      <image:title>News - First Love Review</image:title>
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    <loc>https://www.recordedpicture.com/homepage/2020/2/13/first-love-review-brilliantly-bizarre-ultra-violent-yakuza-caper</loc>
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    <lastmod>2020-02-13</lastmod>
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    <loc>https://www.recordedpicture.com/homepage/https/wwwhollywoodreportercom/review/pinocchio-1264602</loc>
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    <lastmod>2020-02-13</lastmod>
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    <lastmod>2020-01-21</lastmod>
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    <loc>https://www.recordedpicture.com/homepage/2020/1/21/jeremy-thomas-on-matteo-garrones-pinocchio-takashi-miike-tv-seriesjeremy-thomas-on-matteo-garrones-pinocchio-takashi-miike-tv-series</loc>
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    <lastmod>2020-01-21</lastmod>
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    <loc>https://www.recordedpicture.com/homepage/2020/1/21/review-a-boxer-takes-on-the-mob-in-takashi-miikes-joyous-thriller-romance-first-love</loc>
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    <lastmod>2020-01-21</lastmod>
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      <image:caption>Sakurako Konishi and Masataka Kubota in the movie “First Love.” (Well Go USA)</image:caption>
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    <loc>https://www.recordedpicture.com/homepage/2020/1/21/bernard-roses-samurai-marathon-to-get-north-america-release-from-well-go-usa-exclusive</loc>
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    <lastmod>2020-01-21</lastmod>
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    <loc>https://www.recordedpicture.com/homepage/2020/1/21/jeremy-thomas-donates-personal-archive-to-the-bfi</loc>
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    <lastmod>2020-01-21</lastmod>
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    <loc>https://www.recordedpicture.com/homepage/2019/6/12/takashi-miikes-directors-fortnight-title-first-love-finds-international-us-buyers</loc>
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    <lastmod>2019-06-12</lastmod>
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    <lastmod>2019-05-22</lastmod>
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    <lastmod>2019-05-10</lastmod>
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    <loc>https://www.recordedpicture.com/homepage/2019/4/24/hanway-films-boards-takashi-miikes-cannes-bound-first-love</loc>
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    <lastmod>2019-04-24</lastmod>
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